Call for Proposals: Mellon Digital Pedagogy Grants, Round 3

Mellon-Logo-SquareWe are now inviting proposals from Austin College faculty for the next round of the Mellon Digital Pedagogy grant program. These grants provide faculty with the funding, consultation, and support to augment their courses with digital applications, tools, content, and connections.

Here is the application form with further details. Stipends are $5,000 for the development of a digitally enhanced course that will be offered three times between 2016 and 2023.

At present, there are 23 faculty grantees. You can peruse their applications and project updates at the Mellon Foundation Grant section of the Digital Pedagogy@Austin College website. I am sure that any and all current grantees would be happy to discuss their experience with potential applicants. Of course, you can also contact Mo Pelzel, Brett Boessen, and Patrick Duffey for questions and guidance in preparing your application. Let us know how we can help you become a part of this innovative program.

Applications will be evaluated on the following criteria:

  • does the narrative make a persuasive case that student learning will be enhanced by the proposed project?
  • does the project involve strategies, practices, applications, and tools that lend themselves to being more widely shared among AC faculty?
  • is there clear potential for the project to build over time, incorporating feedback and further development from one iteration to the next?
  • does the project invite collaboration with colleagues in the department, in the division, across campus, and/or beyond campus?
  • does the project promote active student learning and student knowledge production and creation, preferably in an open networked learning environment?
  • is the project feasible and realistic?

The deadline to apply is Friday, June 10, 2016. Applicants will be notified of their status no later than June 30.

Now Hear This: Podcasting for Teaching and Learning

PodcastsScreenshot_2016-04-15-12-07-52 are having a moment. The Economist magazine declared 2016 “The Year the Podcast Came of Age.” New York magazine recently asked, “What’s Behind the Great Podcast Renaissance?” And the New York Times just announced a couple of weeks ago that they are launching a new digital audio/podcast endeavor. Why, with the dominance of video and social media in the last decade, are podcasts enjoying a resurgence? Are there implications and opportunities here for teaching and learning?

Digital audio is hardly a recent phenomenon, and podcasting itself has been around for a good fifteen years. It make seem like the distant past to some, but there was a time when the iPod, after its 2001 debut, was the device of choice on college campuses and beyond. The first wave of podcast enthusiasm was driven by the relative ease of creating spoken word audio files coupled with the distribution and subscription system of iTunes and other applications. By 2005, thousands of podcasts were being created, and colleges and universities started handing out iPods to freshmen and exploring the pedagogical potential of podcasts. In his 2005 article, “There’s Something in the Air: Podcasting in Education,” Gardner Campbell pondered how and why a liberal arts community could make use of the new medium:

There is magic in the human voice, the magic of shared awareness. Consciousness is most persuasively and intimately communicated via voice. The voice is literally inspired language, language full of breath, breath as language ….. A voice that creates a theater of the mind–radio’s time-honored heritage–can connect with the listener on a profound level …. At it’s best, podcasting can serve as training in rich interiority and its shared message.

There’s also considerable value in what I call “the explaining voice,” the voice that performs understanding. The explaining voice conveys microcues of hesitation, pacing, and inflection that demonstrate both cognition and metacognition. When we hear someone read with understanding, we participate in that understanding, almost as if the voice is enacting our own comprehension. In other words, the explaining voice trains the ear to listen not just for meaning but for evidence of the thought that generates meaning.

After this initial burst of activity in the mid-oughts, interest in podcasting seemed to decline, and podcasts became a more marginal feature of the media ecosystem. But digital spoken word audio has persisted and is finding new and growing audiences today. So it seems appropriate to revisit the possibilities of podcasts for teaching and learning.

I see three broad categories for thinking about pedagogy and podcasts: (1) utilizing already existing podcasts in your particular discipline; (2) instructor-created podcasts, which could be used as part of a flipped-classroom design; and (3) student-created podcasts. In the first case, you might see if there are existing podcasts that might supplement your other course materials, or that might provide presentations on a topic that your students could critically analyze. For example, economics and business students could examine episodes of Freakonomics Radio or Planet Money to dissect how financial topics are being explained to a general audience. Political science students could dissect the Five Thirty Eight Elections podcast to study political commentary. Philosophy students might do something similar with Philosophy Bites or History of Philosophy Without any Gaps. No matter what your discipline, there are probably experts in the field who are podcasting about it on a regular basis.

Secondly, instructors can create podcasts for class use. Just as Andy Carr is creating videos for students to watch as he flips his organic chemistry classes, so podcasts could also be used in situations that don’t require a significant use of visuals to convey the subject matter. You might think that it is always better to produce videos as forms of digital media since, as it is said, “a picture is worth a thousand words.” But that’s not necessarily true. Audio-only content stimulates the listener to actively construct mental imagery that corresponds to the spoken words. Podcasts could thus promote more generative learning on the part of students if they are required to create their own visualizations rather than simply looking at pre-made images. Sometimes, though, it’s simply the case that a podcast can extend the teaching opportunities for the instructor. Philosopher Peter Adamson, producer of History of Philosophy without any Gaps, observes in “To Podcast, or Not to Podcast” that

You can get into more detail in a podcast than you can in classroom teaching. When I first began the project, I wondered whether I could be accused of “dumbing down” the subject for a broad audience. But in fact, I find that I have to tell my students to go listen to my podcasts if they want the full story behind the texts and issues I have time to present during actual class time.

Thirdly, there are student-created podcasts. Here again, you would want to think through possible use cases that might fit your course design and pedagogy. What could students do with a spoken word digital audio assignment? Storytelling and narrative come to mind. Digital stories are usually assumed to involve a video or at least a visual component, but of course they could also be purely aural. Other possibilities might include interviews, documentaries, and exposition/explanation. Such projects would not dispense with writing, since the creation of a script is an essential element of producing a podcast. But it would be a form of writing that prompts the student to consider elements of oral presentation and proclamation as intrinsic aspects of composition. We want liberal arts students to be competent in a range of discourse forms, in order to effectively communicate to a general audience the value of their education in general and of their subject matter specializations in particular. Podcast assignments could help students hone important skills for presenting their learning through the spoken word.

Although podcasts are primarily designed for listening, they are in the best cases situated in a broader context that facilitates interaction between the speaker(s) and the audience. Ideally, podcasts are posted in a blog space that may contain transcripts, links, and opportunities for discussion, commentary, annotation, and social media recirculation. In fact, podcasts have sometimes been referred to as “audio blogs.” Placement in a blog also enables a core feature of podcasting, namely, distribution via and RSS feed so that new episodes are automatically sent to subscribers. You can also subscribe to many podcasts via the iTunes Store podcast section, but while that’s a great place (though not the only place) to discover podcasts, it is not an interface that promotes podcasts within the space of the open web, as Bryan Alexander argues in “What Happened to Podcasting, and What Didn’t.”

What tools do you need to get into the podcast game? On the listening and subscribing side, you probably want to look at mobile apps first. One of the selling points of podcasts is listening while otherwise occupied with relatively thought-free activities…in the car, at the gym, doing household chores, etc. Do a search for something like “best podcast app for android (or iPhone),” read some reviews, and see what you think. My current choice with an Android device is Pocket Casts, which I like for its smooth navigational layout and its syncing across platforms. Sometimes I listen to podcasts via my MacBook Pro laptop, and I have Pocket Cast there as well. Try a few apps out, and see what you like in terms of design and feature sets. Your podcatcher app will be your primary interface for discovering, subscribing to, and listening to podcasts.

audacityOn the production side, your basic needs are a microphone and recording/editing software. Will you need to record in the field or away from your laptop? Then your choice might be for a voice recorder app on your smartphone (I use one called Smart Voice Recorder for Android, but there are many out there). For higher quality on the go, a dedicated digital audio recorder device might be called for; check out this review of voice recorders at the Wirecutter. If you can record in your office or other such place, you can use the built-in mic on your laptop, but this is not recommended for good quality audio. Most guides recommend an external microphone, something like the Blue Yeti, that connects via USB. That’s what I have in my office, if you’d like to check it out or borrow it. For something a little less pricey, a decent headset mic would also work well. The most widely recommend application for recording/editing is Audacity, which is free and cross-platform. Audacity is a full-feature audio platform that will allow you to fine tune your audio file with noise reduction, normalization, equalization, and compression to create a professional sound. It’s not difficult to use, and there are plenty of guides and tutorials available, some of which I’ve listed below.

So, if you think podcasting might have a place in your pedagogy, let us know here at Digital Pedagogy@Austin College, and we’ll be happy to explore possibilities with you and support your project in whatever way we can.

Resources

 

2016 Mellon Digital Pedagogy Grantee Workshop–Saturday, April 2

We’ll be a day late for April Fools, so there’ll be no fooling around this Saturday as Austin College Digital Pedagogy grantees gather for their annual workshop at Abell Library. So far, twenty-three faculty members have been awarded stipends of $5,000 to support the implementation of innovative digital pedagogy practices in their courses. (In the coming year, an additional seven stipends will be awarded…details on how to apply will be coming soon). Here on our website you can learn more about the original grant from the Mellon Foundation and find links to the project proposals from the 2014-15 cohort and the 2015-16 cohort.

Last year’s workshop featured showcase demonstrations of projects by Andy Carr (chemistry), Jennifer Johnson-Cooper (Chinese), Dan Dominick (music) and Jim Hebda and John Richardson (biochemistry), as well as several breakout discussion sessions  on topics suggested by the grantee reports. We published blog posts to further highlight the projects of Carr (“Flipping Out Over Organic Chemistry“) and Hebda/Richardson (“Using Tablets for Presentations and Grading: A Biochemistry Case Study“) as well as breakout sessions on student-created video projects and open collaborative web spaces.

This year we anticipate another stimulating day of presentations and conversation. We asked all the grantees to prepare updates on the status of their projects and post them on the 2016 Mellon workshop forum page, where you can read them. For this year’s showcase round, seven grantees will make brief presentations about their project to the group as a whole. Each of these will be about 15 minutes or so, including time for questions, comments, and discussion. We’ll be hearing from Don Rodgers (political science) Randi Tanglen (English), Kirk Everist (theater), Brian Watkins (anthropology), David Griffith (business), Nate Bigelow (political science), and Ian MacFarlane (psychology). Follow the links to see their project updates. These projects involve a wide range of pedagogies and digital resources, including geographical information systems (GIS), digital publishing and annotation platforms, student blogging and social media practices, multimedia content creation, and faculty web domains.

Ultimately, of course, what we really want to highlight in these digitally enhanced classes is the learning, knowledge creation, and reflection of students. So we encourage the grantees to share evidence and examples of student work and articulation of learning. For instance, in a recent blog post Brooke Reiche, a student in Ivette Vargas-O’Bryan’s “Introduction to Buddhist Traditions” class, describes creating her own depictions of Buddhist art in a project using the Scalar digital platform. And in his project report, Don Rodgers includes an account from one of his students, Tabatha Keton, on her work with GIS projects:

My journey started with an internship that allowed me to see GIS, or Geographical Information Systems, used in an interesting way: documenting the location of indigenous ancestral sites. I conducted research in books, on the web, and in old, never-before-seen transcripts to locate sites then watched as a specialist put all the information I had gathering in the GIS program. Through the help of Don Rodgers, I was able to obtain an internship that allowed me to learn this program. With my newly acquired knowledge, I documented zoning changes for local governments, created visualizations for research I had conducted in childhood poverty, food scarcity, lack of community resources, and used the system to view how different demographics related to voting practices. I not only was able to gain the knowledge of an up and coming new technology that is also highly sought after in the job market, I was able to visualize my research in a novel way involving spatial elements. This enabled me to view information in a tangible way with real world applications and created a visual that added to my understanding of each of the topics.

We look forward to sharing more of the outstanding work in digital pedagogy and scholarship that our faculty and students are creating here at Austin College.

Buddha Nature in a Geode: Student Digital Scholarship

[The following post is by Brooke Reiche, a student in Ivette Vargas-O’Bryan’s Fall 2015 class, “Introduction to Buddhist Traditions.”]

During my Introduction to Buddhist Traditions class, we were introduced to Scalar as a platform for creating polished and unique group projects. One main focus of these projects was the work of the Japanese artist Iwasaki Tsuneo. He painted visually stunning representations of Buddhist teachings, often integrating script from the Heart Sutra into his pieces in interesting and creative ways. The images he used, which were often nature based, were chosen to illustrate certain characteristics of Buddhist concepts, such as lightning bolts in reference to sudden enlightenment.

Lightning, by Iwasaki Tsuneo
Lightning, by Iwasaki Tsuneo

While working on this project I found myself inspired by Tsuneo’s work, and I was curious to see if I could create my own image using his method of representation. I also wanted this image to relate to the project that I was working on, which focused on Buddha nature. After some thought, I arrived at the idea of a geode. My intention was for the geode to display the hidden nature of Buddha nature in every being through the crystals inside of the formation. I also added an English translation of the heart sutra in gold along the rim, in an attempt to represent how the power of Buddhist teachings could break through the plain rock of relative reality to reveal the crystals of ultimate reality.

"Geode" by Brooke Reiche
“Geode” by Brooke Reiche

Scalar was a great platform for this, as it allowed for stunning image quality and freedom of design that let me see my piece in beautiful detail on the same scale as that used by Iwasaki. It was a very enjoyable process that was rewarding to complete.

Webinar on Web Annotation this Wednesday

Looking for a spring break opportunity for professional development? Of course you are! So you didn’t make it down to Austin for SXSW.edu, but…this Wednesday, you can participate in a webinar on digital annotation with Dr. Jeremy Dean of Hypothes.is. Brian Watkins is using Hypothes.is this semester in his course on the history of anthropological thought, and reports that student reading comprehension and engagement with assigned texts has improved dramatically. We’ll have more details from Brian in an upcoming post, but this is a good opportunity to learn more.

Texas Digital Humanities Consortium invites you to participate in an online workshop with Dr. Jeremy Dean, Director of Education at Hypothes.is.

Web Annotation: Updating an Age-Old Humanities Practice for the 21st Century
Dr. Jeremy Dean

Wednesday, March 9
1-2 p.m

This workshop explores web annotation as an digital humanities practice for the 21st century classroom. This emergent technology allows Internet users to privately comment on or publicly discuss any web page. It can be leveraged to teach students traditional literacy skills like close reading but also newer forms of digital and media literacy. Workshop participants will be introduced to the pedagogical value of web annotation and gain hands-on experience with an open-source, standards-based annotation client. Participants will leave with a solid orientation in the basic functionality of web annotation as well as specific collaborative annotation exercises that can be used in the classroom.

Join from PC, Mac, Linux, iOS or Android: https://riceuniversity.zoom.us/j/377511676

Bio:

Jeremy Dean is the Director of Education at hypothes.is, a non-profit organization dedicated to improving online discourse through annotation. He was previously the Director of Education at Genius where he facilitated educational applications of their interactive archive of literary and historical texts. Jeremy is a scholar-educator with fifteen years of experience teaching at both the college and high school levels. He received a Ph.D. in English from the University of Texas at Austin where he worked as a Project Leader in the Digital Writing and Research Lab for four years developing units and lesson plans around a variety of digital tools.

Fellowships for Digital Publication in the Humanities

NEH-Mellon-Logo-Square-e1425424621991Here is an announcement that should be of interest to AC faculty members in the humanities:

NEH-Mellon Fellowships for Digital Publication seek to encourage scholars engaged in humanities research that requires digital formats and digital publication. Eligible projects must be conceived as digital because the nature of the research and the topics addressed demand presentation beyond traditional print publication. For example, for scholarship in fields like art history, musicology, or media studies, an interactive digital publication may allow the author to use multimedia to make arguments or illustrate critical points that would be otherwise difficult or impossible in traditional print formats.

“Over the past five decades NEH and the Mellon Foundation have supported some of the most important books in the humanities through our respective fellowship programs,” said NEH Chairman William D. Adams. “Today we are pleased to join together to help foster new forms of scholarship that take advantage of the unique possibilities afforded by digital tools, formats, and methods. Our hope is to spur innovation and experimentation that will take humanities research beyond the printed page.”

“Research in the humanities is increasingly exploring the richness of human expression in digital form and in audio and visual materials, which can be represented digitally but not so easily in print,” said Earl Lewis, Mellon Foundation president. “Scholars are also recognizing the need to reach audiences using new digital media. These digital publication fellowships are designed to help scholars in the humanities both convey the results of their research on new media and reach new audiences.”

NEH-Mellon Fellowships for Digital Publication are designed for individual researchers and scholars and support continuous full-time work for a period of six to twelve months. Successful applicants receive a stipend of $4,200 per month, with a maximum stipend of $50,400 for a twelve-month period.

Application guidelines for NEH-Mellon Fellowships for Digital Publication are available at neh.gov. The application deadline for the initial cycle of NEH-Mellon Fellowships for Digital Publication is April 28.

The NEH-Mellon Fellowships for Digital Publication special opportunity is part of the National Endowment for the Humanities’ agency-wide initiative The Common Good: The Humanities in the Public Square, which seeks to demonstrate and enhance the role of the humanities and humanities scholarship in public life.

If you would like more information about this opportunity, or help with formulating a proposal, please get in touch with Max Grober, Dean of Humanities, and with Brett Boessen and Mo Pelzel, who can help you think through the possibilities for “born digital” humanities projects.

Crap Detection (and Correction) 101: Assessing the Credibility of Online Information

Ernest Hemingway. (n.d.). AZQuotes.com. Retrieved February 29, 2016, from AZQuotes.com Web site: http://www.azquotes.com/quote/1390439
Ernest Hemingway. (n.d.). AZQuotes.com. Retrieved February 29, 2016, from AZQuotes.com Web site: http://www.azquotes.com/quote/1390439

“You can’t believe everything you read” is one of those aphorisms that we learn early on. “Caveat lector” was already a maxim long before the advent of the digital age and the world wide web. In that earlier era, though, barriers to publication were significant, and much print material went through gatekeeping procedures in order to ensure credibility, accuracy, and reliability. For academic work in particular, the editorial and peer-review processes of publishing companies, journals, and professional societies imparted authority to published works. The fact that a book or resource was available in libraries gave you some confidence that the author’s claims and positions had been vetted as credible and reliable.

Today, peer-review and editorial oversight remain important. But the Web has made it possible for anyone to publish anything, and search engines provide immediate and unfiltered access to the abundance of online information. As Clay Shirky has noted, our paradigm now is “publish, then filter.” Now, more than ever, the reader (or viewer or listener) is responsible for assessing the claims of authors and evaluating documents for reliability and accuracy. Of course, faculty help guide their students toward critical thinking and the development of a discerning judgment about sources and materials. A big part of a prof’s job is to convey to students a sense for what’s reputable and what’s not in his or her field. Still, even reputable sources such as scientific journals and mainstream news outlets can reflect biases and misrepresentations of data, or even fall victim to outright fraud.

Technologist Howard Rheingold has argued that “crap detection” is one of the core literacies we need to cultivate. What does that look like when it comes to searching the web and evaluating what we find? I think we can approach this in several steps:

  1. Clarifying in our mind exactly what we are searching for. Are we after a specific bit of information, or a more general introduction to or background on a topic?
  2. Composing our search query with the terms and filters that best match what we are looking for
  3. Knowing how to read and interpret the search engine result page
  4. Knowing how to assess a given site, page, document, or resource that the search returns to us.

“Search literacy” is an important basis for crap detection. One of the best resources I have found to improve search literacy is this free self-directed course, Power Searching with Google. In a series of short videos, “search anthropologist” Dan Russell explains basic and advanced search techniques and concepts. Obviously, you should think carefully about the appropriate terms of your query; results could be biased due to poor or imprecise phrasing. Russell emphasizes that “every word matters” and that “word order is important.” Focus on the keywords and terms that are most essential to your topic, and disregard auxiliary words and phrases that you might use in normal conversation. The terms, structure, and filters that you put in your search query will determine what you get back. Use quotes around a phrase to return pages that only have that exact phrase, and use the minus sign in front of terms you want to exclude from your results. Use the the site: and filetype: operators to narrow the search to specific web domains and types of documents if that is useful.

Search engine results are returned in “rank order” according to how well a webpage matches your query. But rank order is not the same as credibility or authoritativeness. Thus, the highest results of a search are not necessarily the most credible or useful…they are simply those that best match the query that you entered. It is not the search engine’s job to assess the accuracy of facts or the soundness of arguments that might be found on a web page. That’s why it is so important to formulate your query as appropriately as possible, and to be aware of how specific terms might influence the results. For example, searching for information about “Falkland Islands” would not produce the same results as a search about “Islas Malvinas.”

As you examine search results, consider visiting several sites to cross-check information and assess reliability. As with analog sources, you obviously want to ask some very basic questions:

  • Who is the author of this information? What person or organization is behind this document and site?
  • What evidence, such as verifiable credentials, is presented for the author’s competence with the subject matter?
  • What do other people say about the author?
  • What are the author’s sources? Are there citations and references to support the claims and arguments?
  • Are there feedback options, so that visitors can ask questions, engage in discussion, and publicly challenge erroneous or misleading information?
  • What are the outbound links from the page? Is the document or resource connected to other trustworthy sources?
  • Conversely, what are the inbound links, that is, what other pages are pointing to this page? What are those other sites saying about the page in question?
  • Does the site appear to be well maintained and up to date, or are there signs of neglect (e.g., broken links)

Rheingold gives the example of a search for information about Martin Luther King, Jr. Among the top results for this query from most search engines is the site titled “Martin Luther King, Jr.: A True Historical Examination.”  The URL for this site, http://martinlutherking.org, looks valid enough, but upon closer examination the site is revealed to be a front for a white supremacist organization called Stormfront.

An important tool for checking the background of a website or domain is the internet protocol WHOIS. If you are suspicious about the legitimacy of a site, use this command to reveal information about who owns and operates a given domain on the web, where the site is hosted, contact information, etc. Just enter a domain to see who’s behind a site. For example, here’s some background info about martinlutherking.org:

Screen Shot 2016-02-29 at 10.52.53 AM

You can examine a website’s outbound links to see how it references other sources and documents. Hyperlinks on a site may be internal or external. “Internal” links point to other pages within the same domain, while “external” links point to pages outside of the domain. It’s the external, or “outbound,” links that will give you a sense of how the resource or page is situated within the larger web presentation of a topic. Conversely, “inbound” links can also be very telling as to a site’s legitimacy. But that information is somewhat harder to get at. Google used to have a link: operator as part of its search toolbox, but that seems to have been deprecated. The best resource I have found to discover incoming links to a site is this backlink checker. Here are the top results for a backlink check on http://martinlutherking.org:

Screen Shot 2016-02-29 at 11.12.58 AM

Incoming links give us information in two ways–where the link is coming from, and the reason or purpose of the link. In the example given above, it is clear that many links pointing to http://martinlutherking.org are doing so precisely in order to call attention to its racist misrepresentations.

Beyond the “detecting” of biased, misleading, unreliable, scam, and hoax websites, there is the further possibility of “correcting” these sites, or at least of drawing attention to their shortcomings. If a site allows feedback and commentary, you can engage the issues there; it could be that an author is simple uniformed or ignorant, and may be willing to revise their materials. Sites such as FactCheck.org and Snopes.com are dedicated to examining questionable claims and setting the record straight on a wide range of topics from politics to science. You can report websites to these services, or search their archives.

A further level of “crap correction” has been made possible by the development of web annotation tools such as Hypothes.is. An outstanding example of this approach is the work of climate scientists at the Climate Feedback project. This organization of experts monitors the web for articles related to climate change and offers feedback on the scientific accuracy of the information presented by annotating the article.

Screen Shot 2016-03-02 at 2.41.23 PM

Of course, in order to see these annotations, viewers of the site would need to be familiar with the Hypothes.is platform, and while that may not be likely at this point, we can hope that, going forward, that the practice of webpage annotation will become more familiar and widespread.

These are just a few things to keep in mind as you fact-check and analyze information on the web. Join us this week at our workshops for further conversation and demonstration.

Resources

February Final Friday UnWorkshop

OK folks, it’s time for our first Final Friday Faculty Unworkshop! As I noted in an earlier post, we’re trying an “unworkshop” model once a month this semester. The idea is to provide a time and place where faculty and staff can propose projects, issues, and topics to discuss and work on in a collaborative setting, without a pre-planned agenda. Is there something related to digital pedagogy (which we interpret very broadly) that you would like to explore, hack, tinker with, and talk about? Perhaps we haven’t piqued your interest with any of our regular workshop topics, or maybe the time hasn’t been right. Think of this as an opportunity to share ideas and learn from one another in a relaxed and convivial space.

Brett and Mo will be on hand to facilitate and coordinate during the afternoon. If you have something in mind that you’d like to pursue, we encourage you to comment on this post and let us and your colleagues know what you’re interested in. That would give us a bit of a heads-up for our brainstorming. Then on Friday, in the Johnson Center studio space (Abell Library 102), we’ll take the first few minutes to solicit further ideas and then sketch out a plan for the afternoon. Everyone can teach and learn from each other. We’ll start at 1:30 and go until about 4:30 or 5:00….feel free to come and go as you wish or drop in for a while, whatever your schedule permits. We’ll plan to provide some light refreshments to make our time even more enjoyable.

So drop some ideas in the comment section below, and join us this Friday afternoon.

All the News That’s Fit to Read: Designing Your Reading Workflow with RSS

256px-Rss-feed.svgOur first Digital Pedagogy workshop for the spring semester, “All the News That’s Fit to Read: Designing Your Reading Workflow with RSS,” will take place Tuesday, February 2, from 4:30–5:30 pm, with a repeat on Friday, February 5, from 1:30 am–2:30 pm. The location is the Johnson Center studio (Abell 102). Note that this location differs from where we met last fall. Bring your own device (laptop preferable), or there are a limited number of laptops we can check out from the library.

As the production of texts and other forms of content has largely moved to digital and online platforms, staying informed about one’s discipline and, more broadly, about one’s topics of interest involves a digital “reading workflow.” From time to time, it might be worthwhile to step back from our immersion in the content of our reading, reflect upon the elements of the workflow itself, and ask whether there are practices that could improve our reading and make the process more effective. For example, Alan Jacobs, professor of humanities at Baylor, recently posted a description of his reading workflow. In this week’s workshop, we’ll discuss how we read online and focus in particular on organizing our reading with RSS syndication and aggregation.

Locate the sources. First, of course, each of us has to identify our “sources”:  those locations on the web that publish the kind of content we are interested in. Academic journals, online publications of various sorts, websites of professional and disciplinary groups and organizations, blogs, etc.–these are the places you go to stay informed and find new and regularly updated content–articles, essays, reviews, papers, posts, whatever. So let’s assume that you have some X number of sites that you would regularly want to consult. And that number almost certainly grows over time as you expand your awareness of resources in your field. Jacobs notes in his post that he follows “about 300 sites.”

Discover the feeds. So now you have a sense of where to look, and the question becomes, “what’s the most efficient way of looking.” What’s the latest on the website of Nature? How can I keep track of recent philosophy papers? Are there new posts at the Marginal Revolution economics blog? One way to find out is to go to the website and look. This requires you to remember what you saw the last time you visited the site, and to compare that memory (probably faulty) with what you see now. Not very effective, and quite time consuming.

Instead, you want to follow the website, and have it inform you whenever it publishes new content. That way, instead of you having to go there to find what’s new, it comes to you. Typically, there are multiple ways to follow a website. Most sites today have accounts with one or more social media platforms, so you can follow the site’s Twitter account, Facebook page, or whatever to be notified of new content. (Take note that the social media “follow” icons on a site are different from the social media “share” icons). That, of course, requires you to use a particular social network and to be attentive enough to it so that you catch the notifications, which will usually give permalinks directly to the new content. Another option that may be offered, though it’s less frequent these days, is to follow the site via email; when there’s new content, you’ll get an email notification. But really, who wants even more stuff in their inbox?

The best and most effective way to follow a site is to subscribe it…more specifically, to the RSS feed of new content that the website produces. Websites that regularly produce new content almost always employ a web standard called RSS, which stands, variously, for “Rich Site Summary” or  “Really Simple Syndication.” The site may or may not have the orange RSS icon displayed, but even if it doesn’t, it probably cranks out a feed. First developed in the late ’90s, RSS allows websites to syndicate their content, that is, to push it out to people and places that are watching and listening for it. A site, such as a blog, may offer a single RSS feed, or, if it is larger and more complex, produce multiple feeds, segmented by category and topic; the New York Times, for example, has dozens of different RSS feeds that one can follow, while Nature has over a hundred.

Use a feedreader to subscribe to and aggregate your feeds. In order to access RSS feeds, you need to use a piece of software called an aggregator or feed reader. This software allows you to subscribe to a feed, organize your feeds into folders, set up display options for how to view your content, mark favorite items, and otherwise manage the subscription and reading process. “Aggregation” is the complement of “syndication”; these concepts and practices lie at the heart of how the open web works. We also refer to this as a “pub/sub” model of information transfer, short for “publication” and “subscription.”

There are several choices for setting up an RSS feed reader, but my recommendation at this point is to use one called Feedly. It is a free service that you can access through your browser or with a mobile app. You can organize all of your feeds in an attractive format that allows you to quickly scan new content in your chosen feeds and to read items in the Feedly interface or back at the source website.

Feedly-logo

You can easily add new feeds to Feedly by entering the URL of the site you wish to follow, or you can also search by site title and by topic. If the site produces one or more RSS feeds, Feedly will find them. You then organize the feeds into folders, which will display all of your content. For example, in my Janterm course How the Web Works, I subscribed to all 30 of my students’s blogs in Feedly in order to track and read new posts; here’s a screenshot showing a bit of the interface by which I managed these feeds:

Screen Shot 2016-01-31 at 9.04.55 PM

In the workshop, we’ll walk through the process of getting started with Feedly and demonstrate some of its features. It’s a quick setup, and you can be up and running very quickly. The mobile app is also free and provides an attractive interface for reading on a tablet or phone.

An option: sending articles to a “distraction-free” interface. One element of some reading workflows, such as that described by Jacobs, is to use services such as Readability, Instapaper, or Pocket to save items to read later in a minimalist interface or even to send them to a Kindle or other e-reader. I won’t be focusing on this step, but just wanted to include it for the sake of reference.

Archive your content with social bookmarking, and annotate with Hypothes.is. Again, included here for the purpose of completing the entire cycle of the reading workflow. In workshops last fall, we discussed social bookmarking with Diigo, and web annotation with Hypothes.is. If you want to be able to refer back to an item later, save the URL to your collection of bookmarks in Diigo (and see what some of your colleagues are reading). And, for persistent markup and annotation of your texts, try Hypothes.is.

So, dear reader, if you have made it this far, congratulations. And join us this week for further conversation about your reading workflow.

Further Resources

Springtime for Digital Pedagogy @ Austin College

Bluebonnets at Sunset in San Saba
Bluebonnets at Sunset in San Saba. Photo by Earl McGehee. CC BY.

Hey folks…after a hiatus for the holidays and Jan term, Digital Pedagogy @ Austin College is back in business for the spring semester. We’re looking forward to a new semester of activities and projects to support student and faculty learning across the curriculum.

As in the fall, we’ve planned a series of digital pedagogy workshops. These will be one-hour, hands-on tutorials designed to give faculty ideas and skills to use in the classroom and for professional development. We will offer each workshop twice a week–once on Tuesday from 4:30–5:30 pm, and then again on Friday from 1:30–2:30 pm, in the Johnson Center at Abell Library (Abell 102). Facilitators will include Mo Pelzel (Digital Pedagogy Designer), Brett Boessen (Digital Pedagogy Fellow), and Andrew Smith (Coordinator of Instructional and Public Services Librarian). We’re particularly happy to welcome Andrew and to benefit from his experience as an instructional librarian.

Here’s what we have planned:

      • Feb 2, 5:   ”All the News that’s Fit to Read: Designing Your Reading Workflow with RSS” (Mo)

 

      • Feb 9, 12:   ”Standards-based Grading using Wikis and Online Forums” (Brett)

 

      • Feb 16, 19:   “Visualizing Course Materials with Infographics” (Andrew)

 

      • Feb 26:   Final Friday Faculty UnWorkshop (1:30–5:00)

 

      • March 1, 4:   ”Crap Detection 101–Assessing the Credibility of Online Information” (Mo)

 

      • March 7-11:   Spring Break

 

      • March 15, 18:   “If This, Then What? Using IFTTT to Automate Apps in Your Class (and Your Life)” (Andrew)

 

      • March 25:   Final Friday Faculty UnWorkshop (1:30–5:00)

 

      • March 29, April 1:   “Video Essays as Alternatives to Traditional Papers” (Brett)

 

      • April 2:   Mellon Grantee Workshop (for Mellon grant recipients in cohorts one and two)

 

      • April 5, 8:   ”Where in the World? Digital Maps for Teaching and Learning” (Mo)

 

      • April 12, 15:   ”Now Hear This: Podcasting Basics” (Mo)

 

      • April 19, 22:   ”Online File-sharing for Class and Group Work” (Brett)

 

      • April 29:   Final Friday Faculty UnWorkshop (1:30-5:00)

 

      • May 3, 6:   Contemplative Pedagogy in a Digital World: Mindfulness and Mind-Wandering” (Mo)

 

      • May 9-13:   Finals Week

 

As you can see, we’re also trying something new this semester–a once-a-month “unworkshop” scheduled for the final Friday of February, March, and April. This is a riff on the “unconference” model that has become popular in education and technology circles. It is the basis, for example, of THAT Camp gatherings (THAT = “The Humanities and Technology”). So, what is an “unconference?” According to THAT,

The shortest answer is this: an unconference is a highly informal conference. Two differences are particularly notable. First, at an unconference, the program isn’t set beforehand: it’s created on the first day with the help of all the participants rather than beforehand by a program committee. Second, at an unconference, there are no presentations — all participants in an unconference are expected to talk and work with fellow participants in every session. An unconference is to a conference what a seminar is to a lecture; going to an unconference is like being a member of an improv troupe where going to a conference is (mostly) like being a member of an audience. Unconferences are also free or cheap and open to all. For more information, see Wikipedia’s entry on the unconference.

So, what we have in mind for those “final Fridays” is a time and space for faculty to propose their own topics to pursue in a collaborative setting. Our thought is that during the week leading up to each of those Fridays, folks will be able to post ideas online ahead of time about topics and issues they would like to work on and discuss. On Friday afternoon, those who gather will take the first 15-20 minutes to establish a schedule, and then we’ll move forward to address and work on whatever the group decides. Everyone can teach and learn from each other. Think of it as a co-working space; you can come and go, drop in for just part of the afternoon, or whatever fits your schedule. These will also take place in the Johnson Center space in Abell 102. We’ll try to provide some light comestibles and libations, and then wrap things up around 4:30 or 5:00.

We’re also working on a couple of other possible activities for the spring, so stay tuned here at the blog. This schedule is flexible, so we can make adjustments and revisions on the fly, especially if you’ve got ideas or suggestions for what might be helpful to you as an AC faculty member. Mo and Brett are always available for conversation, consultation, and support for your questions and issues of pedagogy and digital technologies. So give us a shout, and follow us here on the blog, in our Facebook group, and on our Twitter feed.

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